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Monday, February 3, 2014

Women, Art and Power

Women, guile, and origin (Linda nochlin) In this essay, I shall be investigating the relationships peppy among women, cheat, and power in a group of optical images from the pertly eighteenth through the twentieth centuries. These visual images have been elect for the approximately p nontextual matterbecause they represent women in situations involving power - most commonly its lack. It is obvious that the story or content or narratives of these images - what art historians call their iconography - will be an important element for analysis in this project: the story of the Horatii represented by David; that of the effect of Sardanapalus depicted by Delacroix; or the sad, exemplary tale of kinfolk servant downfall and punishment bodied forth by the incline painter, Augustus Egg, in his pictorial trilogy known as recent and Present. but what I am really interested in argon the trading operations of power on the level of ideology, operations which limpid them selves in a much(prenominal) much diffuse, more than absolute, nevertheless paradoxically, more elusive sense, in what might be called the discourses of sexuality difference. I refer, of course, to the ways in which representations of women in art atomic number 18 founded upon and serve to reproduce indisputably certain assumptions held by society in general, artists in particular, and some artists more than others, nigh mens power over, superiority to,difference from, and necessary bidding of women, assumptions which are manifested in the visual structures as well as the thematic choices of the pictures in question. political orientation manifests itself as much by what is unspoken - unthinkable, unrepresentable - as by what is articulated in a work of art. In so far as many of the assumptions about women presented themselves as a complex of common-sense views about the world, and were therefore assumed to be self-evident, they were comparatively invisible to most conte mporary viewers, as well as to the creators ! of the paintings. Assumptions about womans impuissance and passivity; her sexual availability...If you want to live on a full essay, order it on our website: OrderCustomPaper.com

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